Anything Fiber Sale & Swap 2013

Billed as “a yard sale for fiber people,” the 5th annual Anything Fiber Sale & Swap was held today near Black Mountain.

DSC_0028

People with extra fiber, yarn, fabric, weaving or knitting tools, and fiber-related books reserved tables for about $20 each and sold their wares at garage sale prices. Admission was free.

DSC_0056

If you’re looking for yarn – or fibers to turn into yarn – this is the sale for you. From wool to alpaca to everything in between…

fibers

It was also a great opportunity to dig for treasures and meet a lot of warm, friendly fiber folks!

DSC_0040

I met Robyn Josephs, who teaches weaving at the Nice Threads Fiber Gallery/Studio, which sponsored the event. She also has a blog called Rainbow Weaves.

Robyn Josephs

Robyn Josephs

I was also fortunate to meet Mikkel Hansen, who does restoration and maintenance of handweaving looms. He mentioned that he’s a member of the Western NC Fibers/Handweavers Guild. For a Guild winter project, he made the apron he models below. (Note fabulous matching red socks.)

Mikkel Hansen

Mikkel Hansen

Here are a few more shots from the sale…

DSC_0042

Ladies knitting diligently amidst the shuffle

A pink-haired shopper buying pink yarn

A pink-haired shopper buying pink yarn

animals

Furry stowaways

DSC_0080

Trying out a spinning wheel

While it sounds like the store that sponsors these events is closing this month, they swear that the show will go on and have vouched to make the Anything Fiber Sale happen every August. Details will be posted on their website.

I walked a way with a couple of great books for a total of $4. But even if you’re not a weaver, spinner, or knitter, it’s a great opportunity to chat with some laid-back and knowledgable artists who love to share their love of fiber.


A Craft Education at Community College Prices

Last week, a friend asked if I was attending the open house “at the craft school.” Unfamiliar with the event she was referring to, I asked: which craft school? Penland? John C. Campbell?

“No,” she said, “the one out at Haywood Community College.”

It turns out that the community college, just 30 minutes west of Asheville, has a professional craft program, which offers two-year associate degrees in clay, fiber, wood, or metal. And in March, they cut the ribbon for their brand new $10 million, 36,000 square-foot, LEED-certified Creative Arts Building. (Perhaps it should be noted that the cost of this project was not without controversy.)

The brand new Creative Arts Building on the campus of Haywood Community College

The new Creative Arts Building on the campus of Haywood Community College

An art school education in a state-of-the-art building at community college prices?! Hello!

I was excited to learn more, so I went to their Community Craft Workshop Day on July 22nd, which featured free craft classes in the new facility.

Students and instructors in the bracelet-making class

Students and instructors in the bracelet-making class

For the morning session, I took the “Make a Bracelet” class in the metal studio. The instructor, Terry Taylor (above, far right in the black t-shirt), is an alumnus of the jewelry program and a prolific author (Lark Books has published more than two dozen of his craft books). He also has very delightful and distinctive facial hair.

Copper and fabric scraps on the worktable; on the left, the burlap and copper strip that went through the presser

Copper and fabric scraps on the worktable; on the left, the burlap and copper strip that went through the presser

We were each given a couple strips of copper and encouraged to choose a fabric or other material. These were sandwiched between two sheets of copper and put through a metal presser, transferring the imprint of the material onto the copper band. After filing the edges, we finished the pieces with liver of sulfur or a torch, each giving a different patina. By the end of the class, I had two fancy bracelets – custom fit to my wrists.

Metal studio

Metal studio

We were in a small room within the metal studio; above is the larger room where degree students each get their own workspace for the duration of their studies.

Yarn spinning class

Yarn spinning class

Our class finished a little early, so I wandered around to some of the other workshops in the building to kill some time.

The clay and sewing studios

The clay and sewing studios

Each studio was simple, awash in natural light, and beautifully functional.

In the fiber studio, looms and colorful yarns

In the fiber studio, looms and colorful yarns

Woodworking studio

Woodworking studio

Between the studio spaces were wide hallways featuring craftwork – some by students, and some historical artifacts. The large scale woven works were stunning.

Woven work on display in the hallway

Woven work on display in the hallway

After lunch, I took the “Designer Pillow” workshop, adding a bit of expertise to my mostly-self-taught quilting knowledge. This course was taught by Lani Hendrix, who has taught upholstery and quilting at the college for more than 30 years. While the class took place in the new building, an older, adjacent building is home to a full quilting studio, which features two long arm quilting machines.

The results of 6 hours of crafting!

The results of 6 hours of crafting!

By the end of the day, I walked away with two chic bracelets, a cozy pillow for my couch, and a new sense of possibility. While it’s intoxicating to imagine stepping away from the work-a-day life for two years to study a craft skill, it’s also great to know that the Haywood craft program offers continuing education classes for adults with 9-5 jobs. And the prices! For example, this spring they offered an 8-week Beginning Weaving class on Tuesday nights for $115; and Fundamentals of Woodcarving for $110 (also 8 evening sessions).

Let’s just say there might be a jewelry making class in my future…

Learn more about the Professional Crafts Program or follow it on Facebook.

Learn more about Continuing Education offerings.


Big Crafty, July 2012

On July 8th, the Big Crafty hit downtown’s Pack Square once again. There were A LOT of booths, and it was REALLY hot! So hot, that I only took a few photos this time before taking my vulnerable, pale self to find some shade!

Image

Here’s Katie from Concrete Lace out of Atlanta, GA. She patiently helped me pick out a lovely letterpress card for a friend.

Image

This is Ryan-Ashley from Fray Knot. I was in love with her delicate, approachable jewelry (all priced under $30) and bought, well, too many pieces… I also got a kick out of her chipper, welcoming personality. Turns out Ryan-Ashley also gives knitting lessons and teaches classes at The Dry Goods Shop.

Image

This lady from SewFew was getting a lot of attention for her stunning one-of-a-kind clutches made from fabric remnants. Delicious stuff…

Image

Finally, I ran across this quilt collective called Tipsy Star Quilts. They had all sorts of lovely quilted goodies including blankets, throws, pillows, bags, potholders, accessories, etc. Apparently they have a store downtown in the old Battery Park Hotel, where they also host classes. Will have to check that out!

Image

Image

So that’s it for the summer 2012 Big Crafty. It was great to see such a wide array of vendors – and it seemed like there were many more non-Asheville/WNC folks selling this time. We’re on the circuit!


Penland School of Crafts Open House

Well, it finally happened. After years of getting their catalog and dreaming about it, I finally visited Penland School of Crafts.

And I can confirm every rave review you’ve heard: Penland is craft heaven.

If you don’t know about Penland, I think the spirit of the place is best described by the Penland Vision:

“Penland’s programs engage the human spirit which is expressed throughout the world in craft. Penland enriches lives by teaching skills, ideas, and the value of the handmade. Penland welcomes everyone–from vocational and avocational craft practitioners to interested visitors. Penland is a stimulating, transformative, egalitarian place where people love to work, feel free to experiment, and often exceed their own expectations. Penland’s beautiful location and historic campus inform every aspect of its work.”

Hard not to fall in love with that – right?

The occasion for my visit was their annual Open House, held early each spring (this year it was March 3rd), which draws a stunning 350-500 visitors.

For such a pilgrimage-worthy place, there is surprisingly little sign that you are nearing Penland until you’re there. It’s about an hour north of Asheville, a drive that takes you through tiny towns and expanses of farmland – then up a mountain road and you find yourself here:

While we were driving there, it felt like we were the only ones who knew Penland existed. No other traffic seemed to follow or lead us. But once we arrived, it was clear that this is a popular event. Volunteers guided us through the packed parking lots and handed out maps of the grounds so we could find our way around.

During the Open House, you have free range to explore all of the different studios, with separate buildings for textiles, metals, clay, letterpress, printmaking, glass, iron, wood, and photography. Most of the studios offered hands-on activities; for example, you could make an enameled brooch in the metal studio, or try the pottery wheel in the clay studio. Some activities filled early and/or had significant wait times (like glassblowing and metals); and for an adult craft school, a surprising proportion of the visitors were children. It’s clear that local folks make this a day-long family outing.

What had the greatest impact on me were the incredible facilities. From old to new, each studio is large, well-lit, arranged for efficiency of task and movement, and seemed to contain the best equipment possible.

The letterpress and printmaking studios are clearly brand new and state-of-the-art.

The wood studio is spacious, bright, and has separate areas for different types of woodworking.

The weaving studio is a gorgeous stone and wooden space in one of the oldest buildings on campus; it boasts a full wall of windows presenting the mountain views.

Each studio certainly has its own personality, reflecting the medium within. The iron studio stood out as grittier, darker, and more industrial than the rest.

The glass studio was perhaps the smallest – but clean and bright, like glassware ought to be.

I didn’t get a good look in the clay studio, but did wander around the outdoor kiln yards for a while – many beautiful kilns designed by local potters.

I have to admit that one of my favorite places was the Coffee House – and not just because I was hungry! This seems to be both a dining hall for students when classes are in session, and a place to buy coffee, cookies, and other snacks. I can just imagine how many fond memories and good friendships have been forged here (craft pun intended).

In front of the coffee house there’s a volleyball court and a view of the studios on the hill. Can you just imagine how gorgeous this will be in May?

And you certainly can’t have a school in the Appalachian mountains without a huge porch for rocking…

Finally, a couple of exterior shots of the older buildings on campus.

Want more pics? Check out Penland’s Open House slideshow. Even if you missed the Open House, I would recommend making a reservation for a tour – call 828-765-6211 or email tours@penland.org.

So that’s it from Penland for now. One of these days, when I’ve saved up some money and time, I hope to take a class there. In the meantime, I’ll continue receiving the class catalog and dreaming of this place where one can “exceed their own expectations” through craft.


Interview: Amy Milne, Alliance for American Quilts

Amy Milne, Executive Director of AAQ

I met Amy at a neighborhood barbecue last summer, and liked her warm, creative personality immediately. When I asked what she did for a living, she said she was the Executive Director of the Alliance for American Quilts. I thought to myself, “That is one of the coolest jobs I’ve ever heard of!”

During the party, we didn’t get to talk much about her organization. But I knew one day, I’d follow up and learn more about Amy and the AAQ. That time is now!

As you’ll read below, Amy is one of the speakers at the Pecha Kucha event on Friday evening (January 27th) in the River Arts District. I’ll be there, and I hope you will, too!

In a nutshell, what does the Alliance for American Quilts do?

The Alliance for American Quilts, a national nonprofit organization, supports and develops projects to document, preserve, and share the history of quilts and quiltmakers. The AAQ brings together groups and individuals from the creative, scholarly and business worlds of quiltmaking to advance the recognition of quilts and their makers in American culture. We have three core projects:

  • The Quilt Index, a national online database of more than 50,000 quilt records bringing new access to detailed information and images of quilts from museums, historical societies, guilds, documentation projects and private collections.

Also check out our 2011 Annual Report video—our mission in a nutshell.

How did it come to be headquartered in Asheville?

The AAQ relocated to Asheville in 2006 from Louisville, Kentucky. The organization was founded and run in the home of one of the co-founders for 13 years.  When it came time to move the operations of the AAQ to a new home with a professional staff the board did a careful search to find a community with craft heritage where the AAQ could base its operations, benefit from synergy with other craft nonprofits and cultural tourism. Asheville was It.

Why is it important to preserve and document quilts and other handmade objects?

Quilts are valuable in so many ways and when we preserve and document them we are ensuring that our history is saved for future generations. They are historical documents whose surfaces record events (birth, death, engagement), dates (battles, weddings), people (makers, recipients, patrons), places (location made, community celebrations) and movements (political, social, religious). As objects quilts range from the ornate to the utilitarian and in the context of when they were made this difference tells us about the maker even in modern times. I wrote an article for Etsy.com last year about why it’s important to label quilts.

What in your background led you to be the Executive Director of a craft-related organization?

I’ve always enjoyed making things. I come from a family of creative people and live with and cherish objects made by family and friends. I went to undergraduate school at NC State University’s College of Design and studied textile design and drawing there and then got my graduate degree in mixed media art at the University of Michigan, focusing on site specific sculpture and drawing. After college I taught design and did software consulting for students and faculty at my alma mater —NCSU—and enjoyed that a lot.

When an opportunity came up to work with middle and high school students at SeeSaw Studio, an afterschool design and entrepreneurship program in Durham, I jumped at the opportunity. This was my first nonprofit leadership position and I loved how much diversity was required as executive director—teaching, fundraising, marketing, finance, board  and community work. My work with the AAQ has similar diversity—plenty to keep me busy and always something new to learn, this time on a national scale.

Why do you think quilts are such beloved objects?

Amy, her son, Clark, & a quilt they made together

As children, we often choose quilts as the object that gives us comfort and security—it’s a natural fit. I think quilts  that have lots of different printed fabrics are especially attractive to kids. One of my most memorable toys as a child was  a fabric clown made from “yoyo’s,” which are small circles of fabric with the edge turned under. The yoyo’s are stacked and strung together in the middle with thread to form the body and head of the clown. I can remember flipping through all those different little circles of fabric before going to bed like I was counting money or something. Foreshadowing. I’m a bit of a fabric hoarder and I think that it’s this appreciation of the endless possibilities of putting fabric together that attracts many quilters.

Could you talk a bit about the Asheville quilting community?

Asheville is a great place to be a quilter and to see quilts. There is a large guild—the Asheville Quilt Guild–with around 300 members. There’s also an Asheville chapter of the new Modern Quilt Guild and lots of small quilting bees as well as fiber artist groups. The area has a rich tradition in quilting and joining a guild or taking a class at A-B Tech is a great way to get started. The Folk Art Center on the Blue Ridge Parkway and the Mountain Heritage Center at Western Carolina University are great places to see quilts.

Are there any projects coming up this year that Asheville folks can be involved in?

The Alliance for American Quilts runs a quilt contest every year and we get a good deal of entries from our members and friends in Western N.C. The contest is both a competition and a fundraiser. Quilters enter small quilts in response to an annual theme (this year it’s “Home Is Where the Quilt Is”), winners are chosen by a jury and by our members and the prizes are amazing. This year’s Grand Prize winner will have their choice of any Handi Quilter machine quilting system worth as much as $20,000). The quilts are exhibited nationally and then auctioned on eBay to benefit the AAQ. We’d be honored to have anyone from Asheville and surrounds enter our contest this year. Visit our website for all the details.

Can you share one of your favorite quilt stories?

One of my favorite quilt stories is one that I’ll share next Friday, January 27th, during my talk at the Asheville Pecha Kucha event. It involves a very practical Kentucky quilter who created a quilt for her family that included a picture of a coffin for each person. I won’t give away the story because I’m cleverly using this teaser to get you to attend! If you can’t make it then you can find the quilt on the Quilt Index; search for “graveyard.” Spooky!


Tradition and whimsy at the Appalachian Craft Center

Located right downtown, but a little off the beaten path, is the Appalachian Craft Center at 10 N. Spruce Street. They specialize in “handcrafted, functional, North Carolina pottery and other traditional Southern Appalachian crafts in wood, fiber, and glass.” Two large rooms display oodles of mountain crafts at affordable prices.

Owner Jackie Craig

Shopping here is a truly local experience. Jackie Craig – who has owned the business for 23 years with her husband, Andrew – says that about 95% of the items are made in North Carolina, with the rest made by artisans in other Southeastern states.

Carved birds by Tony Dills; spoons and plates by various artists.

I asked Jackie what distinguishes the Appalachian Craft Center from other area galleries and shops that offer traditional craft pieces. She said it really comes down to two things: function and education. Nearly everything in the store would be classified as functional craft – tools for cooking, pitchers for pouring, blankets for snuggling.

L to R: Owens Pottery; variety of artists; Turtle Island Pottery

But perhaps even more note-worthy is how these artisans have gained their skills. “These folks didn’t get fancy art degrees,” says Jackie. Instead, many of these throwing, carving, and quilting skills have been honed and handed down through generations. She gives the example of Owens Pottery, which claims to be the “oldest pottery shop in the state” (established in 1895). Jackie mentions that they’ve been producing their famous red-glazed pottery for five generations.

L to R: Mary Allen; Mostrom and Chase; Virginia Boone

This sense of history and tradition is tangible at the Appalachian Craft Center. It’s a place that respects the past and the region’s heritage – but also doesn’t take itself too seriously. There are plenty of whimsical items – wooden toys, face jugs, quirky ornaments – scattered throughout.

etchings by Jay Pfeil; paintings by Kevin Maddrey

Finally, I have to admit that one of my favorite things about the Appalachian Craft Center is its prices. They seem to take the stance that craft created by everyday people should be accessible to everyday people – and not just reserved for wealthy collectors. That we should all be able to take part in this heritage. And that’s a philosophy I can always get behind.

Check them out next time you’re downtown, or if you looking for a unique, local gift (ask about their gift baskets). Jackie and her helpful staff will be happy to share some stories with you.


I’m famous!

Ok, not really… But I did get interviewed by Handmade in America! I say lots of thrilling, insightful things. And you can see an outdated photo of what I look like. You won’t want to miss it!

Read it here: http://handmadeconnected.wordpress.com/2012/01/03/anna-raddatz/

Thanks to Jamie and Gwynne for setting this up.


Interview: Gwynne Rukenbrod, HandMade in America

HandMade in America is a small organization that does A LOT for the local craft community. The non-profit works at the intersection of craft and economics – which, in a small economy like Asheville, is really important.

HandMade’s service area is huge (22 counties in Western NC) and covers mainly rural areas and small towns; in fact, their Small Town Revitalization Program is one of their defining programs. But for the purposes of AshevilleCrafts, I wanted to get Exective Director Gwynne Rukenbrod’s perspective on the Asheville craft scene, and how HandMade helps artists here in the city.

Loom at the Farm to Fashion exhibit; Gwynne Rukenbrod; and promotional materials for fundraising/holiday campaign

Like most non-profits, HandMade is feeling the crunch of the bad economy. But they’re not taking it lying down! They’ve started an IndieGoGo campaign to raise $34,213 by Jan. 17th, which will clear the organization’s year-end deficit so they can start 2012 in the “black.” (Donate if you can!) They’ve also started a “Buy Handmade for the Holidays” campaign, encouraging shoppers to direct their hard-earned cash back into the local economy.

Finally, if you’re looking for something to do on Friday night, check out their gallery opening for Farm to Fashion (read more below) and say howdy to Gwynne! Now… the interview!

In one sentence, what does HandMade in America do?

HandMade in America is an economic development corporation that focuses on craft.

What are the HandMade programs/services that can be of most benefit to Asheville crafters?

HandMade offers our Craft Labs the second Tuesday of every month from 6 – 8 pm.  They are professional development classes, from increasing business skills to creative development.

HandMade also hosts exhibitions in its Asheville office at the corner of Hilliard & Church, at the Beverly Hanks office at Biltmore Park Town Square, and the Buncombe County Register of Deeds office on Woodfin.  Any craft artist living/working in Western North Carolina can apply to participate in these.

Lastly, we offer an online craft registry that many tourists and locals access as a resource.  It is currently free to be listed on this registry, so just go to here to sign up.

What are your favorite places in Asheville to see and/or purchase handmade work?

There are so many wonderful places in Asheville to purchase handmade items that it is hard to choose.  I love Atelier Gallery, Ariel Gallery, Blue Sprial 1, Folk Art Center, Alexander and Lehnert… I can go on forever. My favorite place, though, is Grovewood Gallery.  They carry such a nice array of handmade items that I am able to find everything I need there.

What do you think the Asheville craft community will look like 3-5 years from now?

In this tough economy, craft artists will need to develop innovative strategies to continue to create their work. I am encouraged by the community’s support of handmade and local goods, and I hope this trend continues.

In your personal opinion, what’s missing from the Asheville craft world?

I think the services offered to craft artists are amazing here in Asheville.  There are many opportunities for craft artists to access the various small business providers like the SBTDC, Mountain BizWorks, Self Help Credit Union, the Asheville Chamber, and Advantage West, just to name a few.  All of these organizations offer help in starting and growing your business.  I think many craft artists haven’t heard of these opportunities.  HandMade hopes to serve as that resource to educate the craft artists on these available services.  I would also love to see a craft center open someday here in Asheville.

The last couple of years have been financially tough for most non-profits. What is HandMade doing to weather the storm?

HandMade has concentrated on creating a new business model that includes a more diverse revenue stream.  We are working hard to create new ways and ideas to increase our earned income and not be so grant-dependent. It is our goal in 2012 to finish creating and begin implementation of this new model. [Check out their IndieGoGo campaign if you'd like to help out!]

Tell me about the current show in your gallery.

HandMade’s current exhibition, Farm to Fashion, open through January 25th, illustrates the current fiber community in Western NC, from the raising of raw materials to dying and spinning, the mills making cloth and the artists who make fiber work from those raw materials.

What’s your personal connection to craft?

I grew up watching my mother quilt and do needlepoint and appreciating handmade items.  I am also a glass artist and married to jeweler Matthew Smith.

What’s your most cherished handmade possession?

My wedding ring.  We designed it to fit with my engagement ring and had a jeweler make it.

What’s the last book you read?

I am in the middle of the third book, Mockingjay, in the Hunger Games trilogy.

What’s your favorite Asheville restaurant or bar?

Storm for mojitos (yum!!!) and Limones for their amazing scallops!

Thanks again to Gwynne for taking the time to meet with me, and to Jamie for setting all of this up!

L to R: handbag by Feel Handmade; Jamie Carpenter & Gwynne Rukenbrod; alpaca wool from Venezia Dream Farm


Loretta’s Holiday Craft Market Shindig – 12/10/11

Sort of at the last minute, I learned about the holiday market being held yesterday at Loretta’s Cafe on Lexington. I hustled over in the cold, headed up the stairs, and was pleasantly surprised by the awesome decorations!

The crowd was small, but the market was open from noon to 10pm, so I’m sure many folks trickled in over the hours.

Here’s Frankie from Alien Menace. She is such a sweetheart and is just starting out with her business. She had some really great wallets made from inner tube rubber and funky comic book paper, as well as cuff bracelets fashioned from old LPs. These would make such great gifts!

And this is Katie from Rusticware, who mentioned that she’s been doing a lot of shows lately. I met her recently at the Mountain BizWorks Holiday Bazaar, so I know it’s true! Her jewelry is substantial but feminine with a nice Victorian nostalgia.

And here are two other folks whose work caught my eye: Alexandra from Vagabond Studios, and Clay from Tree of Life Potters.

I’ll be curious to see if Loretta’s will make this market an annual tradition! It might be a nice option for crafters who are starting out and can’t necessarily afford to take part in the Big Crafty or other larger regional shows.


foundling studio grand opening – 12/10/11

I met Betsy of foundling at the Big Crafty last week, and she was kind enough to invite me to the opening of her new studio. In West Asheville, hidden behind Harvest Records, is a little building with several studios in it, including foundling, fellow jewelry designer Amber Mahler of Mani Designs, and metal artist Mimi Strang.

Here’s Betsy’s studio and some of her work. Isn’t that necklace to die for? Check out the foundling Etsy shop to see more of her sweet and understated necklaces, rings, earrings… even cufflinks!


Follow

Get every new post delivered to your Inbox.